Tuesday, September 7, 2021

Summary & Question-answers of The Poem : 8- The Trees with the concerned video

The Trees Summary

The poet talks about trees symbolically. They refer to women who have been healed and are ready to move out of their houses to fulfil their primary purpose – to renew the forest of mankind. As women have remained indoors, the forest has become empty, the birds and insects rendered shelterless. The Sun’s rays do not have the tree trucks and leaves to fall upon and thus, reach the earth. She says that the forest will be full of trees the next morning. The roots of the trees are working hard to separate from the floor of the veranda where they have remained fixed. The leaves and branches are moving towards the glass windows. They are desperate to move out just like a newly discharged patient who has not recovered completely, moves to the exit door of the hospital in a hurry. The poet is sitting in her house with the doors of the veranda open. She is writing letters but does not mention this movement of the trees. It is night time, the sky is clear and a bright moon is visible. She can smell the leaves and lichen which seem to be calling out desperately. She hears the glass of the window pane breaking. The trees are moving out and the fast blowing wind embraces them.  As the trees have reached the forest, the tall and strong oak tree overshadows the moon and it seems that the moon has been broken into several pieces.

Q1-(1) Find, in the first stanza, three things that cannot happen in a treeless forest?

Ans: The three things mentioned in the first stanza that cannot happen in a treeless forest are:

Birds sitting on the tree branches.

The hiding of insects in the branches of trees

The sun burying its feet in the shadow of the trees in the forest.

 (2) What picture do these words create in your mind: “… sun bury its feet in shadow…”? What could the poet mean by the sun’s ‘feet?’

Ans: The sun’s feet are the rays of sun that reach the earth after falling on the leaves of the trees and finally, reach the earth’s surface.

Q2- (1) Where are the trees in the poem? What do their roots, their leaves, and their twigs do?

Ans: The trees are in the poet’s house. The roots are working hard to remove themselves from the cracks of veranda. The leaves are making an effort to reach towards the glass in order to come out and the twigs are making attempts to set themselves free and reach the forest.

(2) What does the poet compare their branches to?

Ans: The poet uses the word long cramped for the branches. She says that the branches are trying hard to come out of the roof. She then compares them with newly discharged patients who are trying to move out in their half consciousness.

Q3- (1) How does the poet describe the moon: (a) at the beginning of the third stanza, and (b) at its end? What causes this change?

Ans: The poet describes the moon as a full moon in the beginning of the third stanza but at the end of the stanza, she describes it to be broken into pieces. The change in the moon is because of the trees. The trees that earlier were in the poet’s house have now reached the forest. Their long branches have cast a shadow on the full moon and now it appears to be broken into pieces like a mirror.


 


(2) What happens to the house when the trees move out of it?


Ans: The house becomes silent as the fragrance of the leaves and lichens which was like a voice urging for a change can no longer be smelt.


(3) Why do you think the poet does not mention “the departure of the forest from the house” in her letters? (Could it be that we are often silent about important happenings that are so unexpected that they embarrass us? Think about this again when you answer the next set of questions.) ?


Ans: The poet did not mention the departure of the forest from her house because it is a part of human nature to ignore the important matters of their life. We all know that trees are so important for our survival on earth. But still human beings are cutting them for making profits without even thinking of the aftermath.

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